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The
Art of
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Learn
to recognize that the greatest happiness in life comes in moments
of the purest simplicity.
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"The
first thing God created was the pen"
(Koran)
"Painting
is but another word for feeling"
(TA)
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"I
believe neither in what I touch or see - Only my inner feeling seems
eternal to me" (Gustave
Moreau) |
Imagination
Memory
is the great touchstone of art. When art springs from the recollection
of the beautiful, memory is spoiled by outward imitation.
The
whole universe is merely a storehouse of images and signs to which
fantasy, imagination and association assigns place and value; it is
a kind of raw material, which imagination has to work over and transform.
Art
is not nature. Art is imagination. Imagination is master over nature.
"Without
actually taking opium - as Edgar Allan Poe recommended - who has not
known those glorious hours, festal moments of the brain, when the
better sharpened senses perceive fuller sensations, when the sky breaks
through in an improbably transparent blue to infinite depths, when
sound make on the ring of music, colors begin
to speak and scents tell of the world of ideas?" (Charles
Beaudelaire)
About
Art & Life My
chief interest lies neither in still lifes nor in landscapes, but
in the Figure. It is the
figure that best enables me to express the almost religious feeling
that i have for life. I don't try to depict in detail all the facial
features, or render them one by one with anatomical precision.
If I have an Italian
model, who at first sight suggests only the idea of a purely animal
existence, I nonetheless discover certain essential features in her,
I explore the lines of her face, those which reveal the lofty gravity
that exists in every human being.
A work must inwardly contain its whole meaning
and convey it to the spectator before he he even knows its subject.
(Henri
Matisse, notes d'un peintre)
My own theatre is life; in it
i find everything, actors and scenery, the noble and the trivial,
tears and laughter. Often when I am moved, I cease to be the auditor
and become the actor. One could not believe how, in the primitive
life, one's opinion change or how the theatre widens. Nothing troubles
my judgement of others. I look whenever I, and I alone choose it,
without any constraint, without even a pair of gloves... (TA - Thomas
Adam)
Music is the
most direct way of expression - Maybe then comes painting & drawing,
but certainly not words... (TA)
To discuss: The artist is not
apart from his work -or- The artist is apart from his work. (TA -
tadam@datacomm.ch)
About
Art Critics and their Theories
Artists
are people who make images. Aestheticians
are people who tell other people why artists make images and what
the images mean They also tell people why they - the people themselves
- either like or do not like the images that artists make.
The artist's point of view is entirely one one of foresight,
he has enlisted all his faculties in the making of something that
has never been seen in this world before.
The aesthetician however,
views the whole process with hindsight.
He cannot be expected to anticipate the artist's purposes, he can
draw conclusions only on the basis of already existing art, and upon
the aesthetic accomplishments of the past. That being the case, the
artist is likely to want to claim full tutorship of the work he has
produced. But in reading works on aesthetics, he is likely to come
upon the theory, that the deeper the meanings of art arise out of
some remote source, perhaps on that "passeth understanding"
- or at least one presumably beyond his humble grasp.
Thus it remains for some intermediary body of opinion to rise the
occasion and to supply the hidden meanings. Such opinion
has never been wanting! (Ben Shaw)
Her
huge eyes half open
like
almonds in their shells
Burning
with the pleasure
that
her gaze compels
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Poem
from Alfred de Vigny on the French symbolist
painter Gustave
Moreau's "Godly Women"- Salomé, Helen of Troy,
Delilah, Semele "Godly Women"- Salomé, Helen of
Troy, Delilah, Semele
About
Seeking and Finding
I seek and then automatcally find - Picasso said - while on the contrary
Max Ernst said: I autmoatically find, I do not seek. In his own words,
'the fact that he has succeeded in not finding himself is regarded by
Max Ernst as his only "achievement" '. The works of art that have resulted
from his strange non-quest are the subject of his absorbing survey.
I personally seek and find intuitively and spontaneous at the same time
-- this is how I approach my work. It is the seeking after visions that
honextly represent my feelings. Iconographic images of primitive man
and the idiosyncrasies of post-modern life serve as my inspirations.
These sources enable me to transform something mysterious into something
tangible. Muted color, purposeful line and a passion for form help to
elucidate the psychology of my subject.
About
my mixed media and oil painting techniques
The
surfaces of my mixed media paintings are worked with a combination
of techniques applied in various layers. Pigments are thinned to a
liquid consistency with different solvents and manipulated, thus achieving
diverse effects. Sometimes I mix the gouache and watercolors up with
glue, ink, chalk or whatever the academic art professors strictly
have forbidden! :-)
I learned very much by studying the great innovations in technique
by surrealist artist Max Ernst - collage and rubbing, frottage, grattage
and decalcomania -
Scrapings, dry brush, scumbling, palette knife application, and glazes
ensue. Glazes capriciously trickle in different directions.
All definitively aid in giving my images a life of their own.
Last modified on:12-Sep-99 © by TA CyberSultan Webdesign
- I try to keep it up to date at all times
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